Soppranos

Soppranos Alle 6 Staffeln von Die Sopranos

Tony Soprano ist nicht nur Vater seiner eigenen Familie, sondern auch noch Oberhaupt der Mafia. Sein Alltag besteht aus Erpressungen und Korruption. Als ihm sowohl sein Geschäft als auch seine Familie Stress machen, sucht er eine Psychiaterin auf. Die Sopranos ist eine US-amerikanische Fernsehserie, die vom Leben einer italo​-amerikanischen Mafiafamilie in New Jersey handelt. Die Serie, die in den. Erleben Sie wie alles begann! Staffel 1 der HBO-Hitserie "Die Sopranos" wirft einen realistischen, mit schwarzem Humor getränkten Blick auf eine Familie aus​. Die US-Serie The Sopranos erzählt eine uramerikanische Familiengeschichte, in deren Zentrum Mafiaboss Tony Soprano steht. Er hat eine große Schwäche. Stirbt Tony Soprano im Finale von „The Sopranos“? Das verriet nun Serienschöpfer David Chase – wenngleich offensichtlich eher aus.

Soppranos

James Gandolfini kämpft als sensibler Mafiaboss Tony Soprano für seinen Clan - und gegen das Gesetz. Zerrieben zwischen Midlife-Crisis, seiner. Tony Soprano ist nicht nur Vater seiner eigenen Familie, sondern auch noch Oberhaupt der Mafia. Sein Alltag besteht aus Erpressungen und Korruption. Als ihm sowohl sein Geschäft als auch seine Familie Stress machen, sucht er eine Psychiaterin auf. Die Sopranos: Im Mittelpunkt steht Mafiaboss Tony Soprano (James Gandolfini) aus New Jersey, der sich neben seinen geschäftlichen Aktivitäten rund um .

Soppranos Video

Sopranos Murder Compilation

He leaves the apartment, saying he needs time to think. Tony has Silvio pick up Adriana under the pretense of taking her to see Christopher, but he instead drives her out to the woods and executes her.

Adriana's betrayal and subsequent execution are too much for Christopher to handle and he briefly returns to drug abuse to deal with the pain.

Phil Leotardo and his henchmen beat Benny Fazio while trying to acquire the whereabouts of Tony B; Phil also threatens to have Christopher taken out if Tony B's whereabouts are not disclosed soon.

Phil is furious that he did not get the opportunity to do it himself. Tony and Johnny meet at Johnny's house in a reconciliatory manner, but Johnny is arrested by Federal agents, while Tony escapes.

A senile and confused Uncle Junior shoots Tony. Rendered comatose, Tony dreams he is a salesman on a business trip who mistakenly exchanges his briefcase and identification with a man named Kevin Finnerty.

Tony's recovery from the shooting changes his outlook and he tries to mend his ways. However, he is faced with more problems in his business life.

Once out of the hospital, Johnny Sack's daughter gets married and the Soprano family attends. Johnny Sack is approved to leave prison for six hours to see his daughter get married but has to pay for the metal detectors and the presence of the U.

As his daughter is about to drive away, the SUV that was escorting Johnny to the wedding blocks the car from leaving and an altercation begins in the driveway.

In a moment of weakness and despair, Johnny Sack cries as he is put back into handcuffs and driven back to prison, greatly diminishing the respect his crew and Tony's crew have for him.

Vito Spatafore is outed as gay after running into a friend making collections at a New York gay night club. The rumor spreads quickly, and once word gets to Meadow that everyone else knows, she tells Tony and Carmela about the incident between Finn and Vito with the security guard.

Finn is forced to tell Tony's entire crew what happened with the guard, solidifying their thoughts on Vito's sexuality. Tony is urged to deal with the problem by the intensely homophobic Phil Leotardo, now the acting boss of New York.

Once Vito is outed, he flees to a New Hampshire town, where he poses as an author and starts a romantic relationship with a male cook at a local diner.

He continues to maintain that he is not a homosexual. Tony mulls over the decision to let him work, as well as whether to let him live.

When Tony fails to act, Phil intervenes and kills Spatafore. When one of the members of the New York family, Fat Dom Gamiello, pays a visit to the Jersey office and won't stop making jokes about Vito and his death, Silvio and Carlo kill Fat Dom out of anger at his disrespect.

Once more, it appears that the families are on the verge of all-out war. During the first half of the season Chris and Carmine head to Los Angeles in an ultimately unsuccessful attempt to try to sign Ben Kingsley for a film they are trying to make called Cleaver , which is a mix of The Godfather and Saw.

While in Los Angeles, Chris goes back to using cocaine for a short period. Tony considers killing several of his associates for relatively minor infractions.

Christopher is unable to leave the mob, deflecting his problems by relapsing into drug addiction and kills his friend from Narcotics Anonymous, J.

He is then seriously injured in a car accident while driving under the influence of narcotics. Tony, the sole passenger, finally loses patience with Christopher's failings and suffocates him.

Melfi is convinced by colleagues that Tony is making no progress and may even be using talk therapy for his sociopathic benefit.

She drops him as a patient. Johnny Sack dies from lung cancer while imprisoned, and Leotardo consolidates his position in the Lupertazzi family by having his rivals for the leadership killed.

Phil then officially takes over, igniting a resumption of the past feud with Tony and refusing to compromise with Tony on a garbage deal.

When Tony assaults a Lupertazzi soldier for harassing Meadow while she is on a date, Phil decides it's time to decapitate the Soprano crew.

He orders the executions of Bobby Baccalieri, who is shot to death; Silvio, who ends up comatose; and Tony, who goes into hiding.

A deal is brokered whereby the rest of the Lupertazzi family agrees to ignore the order to kill Tony, allowing Tony to go after Phil.

Tony suspects that Carlo Gervasi, a capo from New Jersey, has become an informant in an attempt to help out his son, who has recently been caught for dealing ecstasy.

Tony meets his lawyer, who informs him that subpoenas are being given to New Jersey and New York crews alike. Tony plans to have dinner at a diner with his family.

As Meadow arrives at the door, the screen goes to Tony. The diner door opens with a bell ringing, Tony looks up and the show smash cuts to black and after a few seconds, the credits roll in silence.

Chase's decision to end the last episode abruptly with just a black screen was controversial. While Chase has insisted that it was not his intention to stir controversy, the ambiguity over the ending and question of whether Tony was murdered has continued for years after the finale's original broadcast and has spawned numerous websites devoted to finding out his true intention.

The Sopranos was a major ratings success, despite being aired on premium cable network HBO , which is available in significantly fewer American homes than regular networks.

The show frequently attracted equal or larger audiences than most popular network shows of the time. The Sopranos has been hailed by many critics as the greatest and most groundbreaking television series of all time.

The show has also received considerable attention from critics and journalists for its technical merit, music selections, cinematography, and willingness to deal with difficult and controversial subjects including crime, family, gender roles, mental illness, and American and Italian-American culture.

The Sopranos has been called "perhaps the greatest pop-culture masterpiece of its day" by Vanity Fair contributor Peter Biskind.

The first season of the series received overwhelmingly positive reviews. In November and December , many television critics named The Sopranos the best series of the decade and all time in articles summarizing the decade in television.

In numbered lists over the best television programs, The Sopranos frequently ranked first or second, almost always competing with The Wire.

Certain episodes have frequently been singled out by critics as the show's best. The Sopranos won and was nominated for many awards throughout its original broadcast.

It was nominated for the Primetime Emmy Award for Outstanding Drama Series in every year it was eligible and is the first cable TV series to receive a nomination for the award.

After being nominated for and losing the award in , , , and losing the first time to The Practice and the last three to The West Wing , The Sopranos won the award in , and again in Its win made The Sopranos the first series on a cable network to win the award, [] while its win made the show the first drama series since Upstairs, Downstairs in to win the award after it had finished airing.

The Sopranos won at least one Emmy Award for acting in every eligible year except and James Gandolfini and Edie Falco were each nominated six times for Outstanding Lead Actor and Actress , respectively, both winning a total of three awards.

The Sopranos had a significant effect on the shape of the American television industry. It has been characterized by critics as one of the most influential artistic works of the s and has been cited as helping to turn serial television into a legitimate art form on the same level as feature films, literature, and theater.

Hal Boedeker stated in PopMatters in that the series was "widely influential for revealing that cable would accommodate complex series about dark characters.

Real human behavior", giving " Maidenform " and how Peggy Olson 's baby affects her as examples. The series helped establish HBO as producers of critically acclaimed and commercially successful original television series.

Michael Flaherty of The Hollywood Reporter has stated that The Sopranos "helped launch [HBO's] reputation as a destination for talent looking for cutting-edge original series work.

The show has frequently been criticized for perpetuating negative stereotypes about Italian Americans.

Several major organizations have voiced their concern that The Sopranos presents a very distorted and harmful stereotype of Italian Americans and their cultural values, including the National Italian American Foundation , Order Sons of Italy in America , Unico National , and the Italic Institute of America.

In , officials in Essex County, New Jersey , denied producers permission to film on county-owned property, arguing that the show depicts Italian Americans in a "less than favorable light.

Fairleigh Dickinson University 's PublicMind conducted a national survey in August which polled people. Professor William Roberts was associated with the poll, and is the author of several books on modern Italian history; he commented that: "The show's inflated image of organized crime casts a shadow over both the state and its Italian American community.

At the end of the series, the PublicMind conducted a second national survey on The Sopranos. Professor Roberts stated: "The show helped to perpetuate one of the more problematic and stereotypical images of Italian Americans.

Both Italian and Italian American cultures have much more diverse and interesting heritages than the American public generally realizes. Chase has defended his show, saying that it is not meant to stereotype all Italian Americans, only to depict a small criminal subculture.

In March , New Line Cinema announced that they had purchased a film, set in the s during the Newark riots. The director is Alan Taylor. Several cast members of The Sopranos have started podcasts regarding the series.

Michael Imperioli and Steve Schirripa began hosting a podcast called Talking Sopranos on April 6, , where the two provide inside info as they follow The Sopranos series episode by episode.

The first four seasons of The Sopranos were released on VHS in five-volume box sets which lack bonus material. All six Sopranos seasons were released as DVD box sets, with the sixth season released in two parts.

A complete series box set was released in The first season was released on Blu-ray in From Wikipedia, the free encyclopedia.

This article is about the television series. For the pilot episode of the series, see The Sopranos The Sopranos episode.

For the novel unrelated to the series, see The Sopranos novel. American television series — Landress Terence Winter Matthew Weiner. Alik Sakharov 38 episodes Phil Abraham 47 episodes.

Sidney Wolinsky 33 episodes William B. Stich 28 episodes Conrad M. Gonzalez 20 episodes. Warner Bros. Television Distribution.

Stereo Dolby Digital 5. I want to tell a story about this particular man. I want to tell the story about the reality of being a mobster—or what I perceive to be the reality of life in organized crime.

They aren't shooting each other every day. They sit around eating baked ziti and betting and figuring out who owes who money.

Occasionally, violence breaks out—more often than it does in the banking world, perhaps. I said to myself, this show is about a guy who's turning He's inherited a business from his dad.

He's trying to bring it into the modern age. He's got all the responsibilities that go along with that.

He's got an overbearing mom that he's still trying to get out from under. Although he loves his wife, he's had an affair.

He's got two teenage kids, and he's dealing with the realities of what that is. He's anxious; he's depressed; he starts to see a therapist because he's searching for the meaning of his own life.

I thought: the only difference between him and everybody I know is he's the Don of New Jersey. Main article: Music on The Sopranos.

Satriale's Pork Store Further information: List of The Sopranos characters. Main article: List of The Sopranos episodes.

Main article: The Sopranos season 1. Main article: The Sopranos season 2. Main article: The Sopranos season 3. Main article: The Sopranos season 4.

Main article: The Sopranos season 5. Main article: The Sopranos season 6. Main article: List of awards and nominations received by The Sopranos.

Main article: The Sopranos: Road to Respect. Main article: The Many Saints of Newark. December 12, November 6, August 27, October 28, June 7, November 7, October 23, November 11, Television Criticism.

SAGE Publications. Retrieved January 2, The New York Times. Retrieved December 6, The Guardian. Retrieved May 31, New York Post.

The Huffington Post. David vs. Slant Magazine. Retrieved March 31, Rolling Stone. Retrieved September 22, Archived from the original on September 13, Retrieved September 4, Retrieved September 18, The Boston Globe.

The Daily News. March 23, June 2, Retrieved July 15, TV Guide. Retrieved December 23, Retrieved March 8, Retrieved July 4, Retrieved January 23, Retrieved November 14, Vanity Fair.

Retrieved August 19, Fort Wayne Reader. Film References. Writers Guild of America, west. Archived from the original on November 16, Wichita Eagle.

Stanford Magazine. Archived from the original on November 8, Chicago Sun-Times. Archived from the original on May 16, Retrieved November 23, Retrieved August 17, The Hollywood Reporter.

Archived from the original on September 21, Retrieved November 11, December 14, New Jersey Star Ledger. Retrieved January 27, February 1, Chapter 9: Baer v.

Introduction to Business Law 4th ed. Cengage Advantage Books. December 19, Retrieved April 10, February 11, Entertainment Weekly.

Retrieved June 1, Los Angeles Times. Is Paulie a Rat? June 8, Retrieved February 23, Retrieved April 18, CBS News. March 18, Retrieved November 27, Retrieved October 7, Retrieved September 5, Dutton Filmography".

Retrieved September 6, Retrieved July 7, Penguin Books. Retrieved September 3, May 9, Archived from the original on August 9, The Star-Ledger.

July 2, Milwaukee Journal Sentinel. Archived from the original on June 6, Archived from the original on January 8, Archived from the original on March 6, Fox News.

November 12, Fat Tony then continues to drive through Springfield to the same soundtrack as the original. Pfefferman, Naomi October 12, Archived from the original on February 15, Retrieved September 28, Archived from the original on February 5, Archived from the original on December 24, Archived from the original on January 7, Archived from the original on August 30, Retrieved May 2, Retrieved July 29, Retrieved May 14, The Star Ledger.

Archived from the original on July 26, Retrieved September 20, The Chicago Tribune. Retrieved February 26, The Oakland Tribune. Retrieved September 26, Business Insider.

Retrieved July 3, The Denver Post. June 12, Aol TV. Archived from the original on February 8, Archived from the original on February 9, February 4, Journal of American Studies.

The New Yorker. April 26, The Stage. Archived from the original on September 30, Rotten Tomatoes. Time Out New York.

Grand Central Publishing. Retrieved June 3, September 16, Retrieved July 17, Archived from the original on November 1, Retrieved November 3, January 8, Retrieved December 16, The Houston Press.

Retrieved September 10, Empire Movies. Archived from the original on July 20, Archived from the original on June 18, Associated Press.

September 20, Retrieved July 24, September 17, Retrieved July 30, The Peabody Awards. May Retrieved September 29, Retrieved July 27, USA Today.

January 10, Retrieved January 10, National Italian American Foundation. January 12, Retrieved May 3, Title: The Sopranos — An innovative look at the life of fictional Mafia Capo Tony Soprano, this serial is presented largely first person, but additional perspective is conveyed by the intimate conversations Tony has with his psychotherapist.

We see Tony at work, at home, and in therapy. Moments of black comedy intersperse this aggressive, adult drama, with adult language, and extreme violence.

Written by ahmetkozan. The Sopranos mythology is as close an analogue to Greek mythology we'll ever get in modern life. It's all there.

The archetypes of Zeus, long-suffering Hera, oracles, sibyls, the virginal Persephone, Zeus' seduction of mere mortal women who can be destroyed by it , the messengers and functionaries of Zeus, the wandering eye of the Most High himself, on and on it goes.

AND there are the deep emotions and passions that go with it. Greek and Roman mythology has become so quaint to us we "teach" it to sixth graders and sent them to see Disney productions of Hercules as an example.

Disney doesn't tell you the one about when Hercules batters one of his wives kills her and slaughters his children--I think that's the way it goes.

The schools don't "teach" about the mother who chops up her own children whom she loves to bake in a pie to feed to the husband she hates.

They don't "teach" the crazed women who mutilate the man who scorns them. Or the girl who arranges to sleep with her own father. What passes as the Greek myths in schools is really just kind of bullshit.

She burns up or something. Tony does that too, to the car saleswoman. What about the dancer at Bada Bing? I haven't got to the end of the art gallery girl yet.

But The Sopranos really approaches the bloodthirst of the Gods, their cruelty, their indifference to mere mortals But don't forget they sometimes show great wisdom and kindness too.

The Gods and the Sopranos mingle with us mere mortals, but we say a little prayer of thanks when they pass us by. They know things we don't.

Personally speaking, when I think about "the mob," they seem to have the sort of reality to me or your average Joe of being sort of "out there", just like a forces of nature, and I don't ever want to get them mad at me.

I know I just might brush past them every once in a while, I'm sure, but I would hardly know it. If a mobster came to me in disguise, just as the Greek Gods were used to doing with mere mortals, I hope I would treat him in a way so as not to invoke his wrath in consequence.

As a child, I felt about the Greek Gods with the same sense of mystery and heightened imagination, believing they were "out there" and about somewhere, but one just never really got to see them up-close.

Or gods help us an homage. He's just being true to the subject material in the best way he knows how--and it's absolute dynamite.

It's no surprise the Sopranos reaches directly back to the Greeks. For Chase NOT to "go there" with the violence and sexuality would not be possible.

The greatness of the Greco-ROMAN myths lies precisely in their depth of presenting vividly, exhaustively, splendidly, the all-too human capacity for evil among other things.

The myths are the extremes we are all capable of if pushed into passion. David Chase's genius is that he has crystalized our cultural fascination of gangsters into a mythology worthy of the Greeks.

He somehow consciously or unconsciously, I don't know recognized the archetypes involved, intimately, and ran with them.

For anyone who thinks The Sopranos glorifies violence as one dude posting here felt , that person needs to take a survey of literature or something.

God, read Shakespeare. Take a course in history. Hell, look to Iraq. We live in a violent world. Learn how to digest story and context.

The pleasure of watching this show is that the barrier of the TV screen protects us. I think the writers are constantly reminding us of the moral dimension involved.

The Sopranos is at the bottom of it, deeply moral. It's about actions, and codes. If you get hung up on the violence, you probably had better watch something else and leave it at that.

Go drink some Kool Aid and chill. Here's a suggestion to deepen the Soprano experience. Get out the tragedies and original sources not Edith Hamilton!

And conversely, if you know the myths already and want to see them truly brought to life, think of them when you are watching The Sopranos.

You'll see Zeus. You'll see Hera. You'll see all kinds of Gods. Look again at his mother who wanted figuratively to eat him, just like the Titans tried to eat Olympians.

The parallels are absolutely chilling. If they wanted to pack the opera houses these days, they should get all the conductors and opera directors to watch The Sopranos en masse.

That might revive opera overnight. Opera houses should just go back to the beginning and revive some of those very old operas and learn a few things from the Sopranos.

Opera actually began in Italy as a movement to recreate and revive the grandeur of Greek tragedy. Interesting, hm? Look what it's come to.

It's too bad some people don't 'get it. It's truly Great Drama. Looking for something to watch? Choose an adventure below and discover your next favorite movie or TV show.

Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates. Official Sites. Company Credits. Technical Specs.

Episode List. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews.

Soppranos - Popcorn bereit? Dann hol dir jetzt Kinofeeling auf die Couch mit deinem Cinema-Upgrade.

Melfi zu lösen. Dieses künstlerische Hyperventilieren lässt sich von "Maniac" bis "Dogs of Berlin" derzeit bei vielen Serien beobachten. Januar auf HBO statt. External Sites. Retrieved September 5, All characters were created by David Download Bingo Blitz unless otherwise noted. The Houston Press. Once more, it appears that the families are on the verge of all-out war. Classical singing voice with the highest vocal range. November 7, Tony and Big Pussy locate Matthew and kill him. Details of Tony's upbringing - Spielbank Wiesbaden Permanenzen Archiv his father's influence looming large on his development as a gangster, but more so that Tony's mother, Liviawas vengeful and possibly psychopathic - are revealed. Throughout the series, Tony struggles to balance the conflicting requirements of his family with those of the Im Internet Arbeiten family he controls. Free Casino Games Zynga Fair. He doesn't want to tell his daughter the truth about his profession, but he knows that if she continues down this road, she's going to learn some very disturbing things about him, her future father-in-law Patsy Parisi, and a lot of other people she grew up around. The National Italian American Foundation. In numbered lists over the best television programs, The Sopranos frequently ranked first or second, almost always competing with The Wire. Two other types of soprano are the Dugazon and Real Money Slots Falconwhich are Im Internet Arbeiten voice types between the soprano and the mezzo-soprano: a Dugazon is a darker-colored soubrette, a Falcon a darker-colored soprano drammatico. March 23, John Sacrimoni Request Soppranos

Things get a little more interesting when Meadow reveals where she wants to take her law career in the future. She wants to defend groups who are unfairly prosecuted and oppressed by the federal government, and she specifically mentions the Italian-American community as part of her mission.

After all, she feels her father is being treated badly over bogus charges, but as she explains her decision to her dad, Tony's face changes.

He doesn't want to tell his daughter the truth about his profession, but he knows that if she continues down this road, she's going to learn some very disturbing things about him, her future father-in-law Patsy Parisi, and a lot of other people she grew up around.

Whether he tries to head her off or not is anybody's guess, but Meadow's chosen career could mean serious tension for the Sopranos down the line.

Meadow Soprano isn't the only character with a long and difficult romantic road. Then, she got caught up in Tony's world again when she arrived back in New Jersey.

Dating is rough when you're involved with the mob. Finally, she settled down with Bobby Baccalieri after the death of his wife, only to lose him to a hit at the end of "The Blue Comet.

In "Made In America," Janice is still mourning, but she's already looking ahead to her future in some ways.

Journey's "Don't Stop Believin'" is blaring over the restaurant speakers, and as the four members of the Soprano family show up for a meal, the tension is becoming more and more unbearable.

Then, just as his daughter seems to be walking in the restaurant, Tony looks up, and the screen cuts to black. Well, there are two basic interpretations, so let's start with the most optimistic.

In this version, the cut to black is simply our last moment with Tony Soprano, and we can see that his future will be full of tension and uncertainty.

But that guy at the counter is shady, anything could've happened to Meadow out on the street, and Tony has to look up every time the bell over the restaurant's door rings because he has to be sure he's not being ambushed.

Tony's alive, but he's never safe. If he survives the series, he's going to spend the rest of his days fearing for his life, and that final scene was simply our connection to him being closed off forever.

Sure, maybe Tony Soprano made it out of the show alive The sudden cut is his point of view as a character, with the darkness showing that his life has come to an end.

There's actually some evidence backing up this theory, as Tony's possible death was foreshadowed earlier in the show.

In the season six episode "Soprano Home Movies," Bobby Baccalieri and Tony are chatting about the nature of death, when Bobby theorizes that death is simple, quick, and that "you probably don't even hear it when it happens.

This little line strongly suggests that in Tony's last moments, he didn't hear the bullet the laid him low or even realize he was about to die.

And since the scene is essentially from his perspective, we also don't get to hear the gun shot. Perhaps the shady guy in the Members Only jacket went to the bathroom to pick up a gun a la The Godfather , came back out, and shot Tony in the head.

We didn't see it because neither did he, and it's possible that one of the greatest characters in TV history was left for dead in that New Jersey diner.

So, which is it? Is Tony Soprano alive or dead after that final shot? Series creator David Chase pictured above has always remained famously cagey about explaining the scene , and shortly after the last episode aired, he insisted that "no one was trying to be audacious" with the final moment.

Chase has been asked several more times to reflect on the ending in the years since the series finale, and each time, he's remained relatively ambiguous in his interpretation.

Fans got a little thrill in early when he referred to a "death scene" for Tony in an interview, but he later clarified that he was referring to an earlier idea that was discarded, and not the final scene that he ended up shooting.

In the end, the best explanation for the scene has perhaps come from Sopranos writer Terence Winter. And everybody who walks in, a guy in a Member's Only jacket You're always looking over your shoulder and at some point, whether it happened that night or not, when you live that life, one day, somebody's going to walk out of a men's room, and that's it for you.

All rights reserved. We finally understand the ending of The Sopranos. No more therapy for Tony Soprano.

The Sopranos mythology is as close an analogue to Greek mythology we'll ever get in modern life. It's all there.

The archetypes of Zeus, long-suffering Hera, oracles, sibyls, the virginal Persephone, Zeus' seduction of mere mortal women who can be destroyed by it , the messengers and functionaries of Zeus, the wandering eye of the Most High himself, on and on it goes.

AND there are the deep emotions and passions that go with it. Greek and Roman mythology has become so quaint to us we "teach" it to sixth graders and sent them to see Disney productions of Hercules as an example.

Disney doesn't tell you the one about when Hercules batters one of his wives kills her and slaughters his children--I think that's the way it goes.

The schools don't "teach" about the mother who chops up her own children whom she loves to bake in a pie to feed to the husband she hates.

They don't "teach" the crazed women who mutilate the man who scorns them. Or the girl who arranges to sleep with her own father.

What passes as the Greek myths in schools is really just kind of bullshit. She burns up or something. Tony does that too, to the car saleswoman. What about the dancer at Bada Bing?

I haven't got to the end of the art gallery girl yet. But The Sopranos really approaches the bloodthirst of the Gods, their cruelty, their indifference to mere mortals But don't forget they sometimes show great wisdom and kindness too.

The Gods and the Sopranos mingle with us mere mortals, but we say a little prayer of thanks when they pass us by.

They know things we don't. Personally speaking, when I think about "the mob," they seem to have the sort of reality to me or your average Joe of being sort of "out there", just like a forces of nature, and I don't ever want to get them mad at me.

I know I just might brush past them every once in a while, I'm sure, but I would hardly know it. If a mobster came to me in disguise, just as the Greek Gods were used to doing with mere mortals, I hope I would treat him in a way so as not to invoke his wrath in consequence.

As a child, I felt about the Greek Gods with the same sense of mystery and heightened imagination, believing they were "out there" and about somewhere, but one just never really got to see them up-close.

Or gods help us an homage. He's just being true to the subject material in the best way he knows how--and it's absolute dynamite.

It's no surprise the Sopranos reaches directly back to the Greeks. For Chase NOT to "go there" with the violence and sexuality would not be possible.

The greatness of the Greco-ROMAN myths lies precisely in their depth of presenting vividly, exhaustively, splendidly, the all-too human capacity for evil among other things.

The myths are the extremes we are all capable of if pushed into passion. David Chase's genius is that he has crystalized our cultural fascination of gangsters into a mythology worthy of the Greeks.

He somehow consciously or unconsciously, I don't know recognized the archetypes involved, intimately, and ran with them. For anyone who thinks The Sopranos glorifies violence as one dude posting here felt , that person needs to take a survey of literature or something.

God, read Shakespeare. Take a course in history. Hell, look to Iraq. We live in a violent world. Learn how to digest story and context.

The pleasure of watching this show is that the barrier of the TV screen protects us. I think the writers are constantly reminding us of the moral dimension involved.

The Sopranos is at the bottom of it, deeply moral. It's about actions, and codes. If you get hung up on the violence, you probably had better watch something else and leave it at that.

Go drink some Kool Aid and chill. Here's a suggestion to deepen the Soprano experience. Get out the tragedies and original sources not Edith Hamilton!

And conversely, if you know the myths already and want to see them truly brought to life, think of them when you are watching The Sopranos.

You'll see Zeus. You'll see Hera. You'll see all kinds of Gods. Look again at his mother who wanted figuratively to eat him, just like the Titans tried to eat Olympians.

The parallels are absolutely chilling. If they wanted to pack the opera houses these days, they should get all the conductors and opera directors to watch The Sopranos en masse.

That might revive opera overnight. The Owl House 5. Love Island 6. Infinity Train 7. Popular Movies 1. Black Panther 2. Love The Coopers 3.

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